Magazine "Shot by Both Sides"

"Shot by Both Sides" is the debut single by English post-punk band Magazine, released in January 1978 and later featured on their acclaimed album Real Life. Written by Howard Devoto (after leaving Buzzcocks) and Pete Shelley, the song is widely regarded as a seminal work in the post-punk genre, blending punk's energy with more experimental and melodic elements123.

Musical Style and Composition
The song is driven by a jagged, iconic guitar riff originally conceived by Pete Shelley, which was also used in the Buzzcocks’ "Lipstick." Magazine’s version, propelled by John McGeoch’s guitar and Barry Adamson’s frenetic bass, retains punk’s urgency but adds a sense of paranoia and sophistication, foreshadowing the broader sonic palette of post-punk452. The single version is raw and direct, while the album version introduces keyboards, hinting at the band’s future direction45.

Lyrics and Meaning
The title and central metaphor stem from a political argument Devoto had with his girlfriend, who told him, "Oh, you'll end up shot by both sides"16. Lyrically, the song explores feelings of alienation, ideological conflict, and the struggle to remain independent in a polarized world. Devoto portrays himself as caught in an "ideological crossfire," targeted by opposing factions and unable to find safety or anonymity, even in the "heart of the crowd"675. The lyrics reflect the societal divisions and intense political climate of late-1970s Britain, but Devoto has described his stance as "apolitical," using the song as a defense of non-conformism63.

The phrase "shot by both sides" becomes a powerful metaphor for being attacked or misunderstood from all directions—by both friends and enemies—when refusing to conform to prevailing ideologies875. The song’s conclusion hints at a "secret understanding," suggesting the possibility of empathy and coexistence despite deep divisions8.

Cultural Impact and Legacy
"Shot by Both Sides" is often cited as one of the first and greatest post-punk singles, predating Public Image Ltd’s debut by several months and helping to define the genre’s sound and ethos23. Its blend of punk aggression and experimental ambition made it a touchstone for bands seeking to move beyond punk’s limitations. The song reached No. 41 on the UK Singles Chart and remains a classic of the era, celebrated for its energy, intelligence, and enduring relevance123.

Key Facts Table

Summary
"Shot by Both Sides" is a defining moment in post-punk: a song about ideological conflict and alienation, delivered with punk energy and experimental flair. Its iconic riff, incisive lyrics, and refusal to conform have ensured its place as a foundational track in alternative music history1623.